In Saint Petersburg at the turn of the 20th century, this scale had become so familiar in the circle of composers around Nikolai Rimsky-Korsakov that it was referred to as the Korsakovian scale (Корсаковская гамма). 1879, which preceded Vito Frazzi's Scale alternate per pianoforte of 1930 by a full half-century. The earliest systematic treatment of the octatonic scale was in Edmond de Polignac's unpublished treatise "Étude sur les successions alternantes de tons et demi-tons (Et sur la gamme dite majeure-mineure)" ( Study of the Succession of Alternating Whole Tones and Semitones (and of the so-called Major-Minor Scale)) from c. In classical theory (in contrast to jazz theory), this symmetrical scale is commonly called the octatonic scale (or the octatonic collection), although there are a total of 43 enharmonically non-equivalent, transpositionally non-equivalent eight-note sets. However, the term most often refers to the ancohemitonic symmetric scale composed of alternating whole and half steps, as shown at right. An octatonic scale is any eight- note musical scale.
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